Fashioning Discontinuities Building 6, Cockatoo Island, Sydney: March 21 - June 9, 2014
This project involves an exploration in various forces shaping space. Taking a range of locations in Sydney, gestures and alterations are employed in order to experiment with traversing a range of places, proposing multiple modes of engagement. The project engages a spectrum of sites such as Hyde Park, the Botanical Gardens, St Mary’s Cathedral, a footbridge in Woolloomooloo, St James Station, the Camperdown Cemetery and fragments of the remnant iron-bark forest in Western Sydney. The various material extractions, documents, objects and residues generated by the project are brought together as a sculptural installation at Cockatoo Island. Processes will continue during the exhibition, both on and off the island and the project will culminate in a book published towards the conclusion of 2014.
schedule of events
With Diego Bonetto, Ian Millis, Jacqueline Milner, Contemporary Art and Feminism research group from SCA, Oliver Watts, Danny Butt, Space, Place, Country research group from SCA, and others to be confirmed during the Biennale.
Each Friday afternoon from 2pm.
Cinder-block pavilion in building 6, Cockatoo Island.
Events currently scheduled:
Friday 28 March with Diego Bonetto
Friday 4 April with Oliver Watts
Friday April 11 with Ian Millis
Discussions will be held with members of the public who happen to be present in Building 6, concerning the current political crisis in Australia. Peers, guests, friends and colleagues will be invited to contribute by leading some of the discussions. At other times, I will be present to engage the public on a one-on-one basis. Conversations will generate material for a series of essays to be published after the Biennale.
With Ivan Cheng, Barbara Campbell, Brian Fuata and Jess Olivieri
Wed 9 April: Building 6 on Cockatoo Island
Sunday 4 May: Cathedral Square, outside St Mary’s Cathedral (parallel to College Street)
Wednesday 7 May: Building 6 on Cockatoo Island
Wednesday 4 June: Building 6 on Cockatoo Island
Sunday 8 June: Cathedral Square, outside St Mary’s Cathedral (parallel to College Street)
Since 2011, a series of informal performances have been carried out in a multiplicity of public sites, using steel rings that measure 1m in diameter and which weigh 10kg each. These rings are spun upon their own axis upon a flat (usually concrete, sometimes wooden) ground. The spinning of the rings generates a set of overlapping rhythms and discontinuities. A sonic field emerges in the physical relationship between the steel of the rings and the materiality of the ground upon which they are spun. The sonic field that is generated temporarily seizes the space in which it occurs, repositioning these sites from their familiar function to becoming sound-generating surfaces.
with Stuart Bailey, Ivan Cheng, Mark Shorter, Salote Tawale and Sarah Rodigari
Friday 25 April on the pedestrian footbridge over St Mary’s Road in Wooloomooloo at 3.30pm
Saturday 7 June outside Building 6 at Cockatoo Island beginning at at 3.45pm
A set of objects has been constructed for the purpose of being held towards evening’s diminishing westerly light with a group of people. This performance seeks to engage the sun at a particular moment in its trajectory across the sky, and witness the recurring relationship it makes to the materials of the earth that stand in its fleeting pathway.
Open to the public
Meet at Royal Botanical Gardens, Pioneer Lawn
Saturday, 17 May 9.45am–12noon
Beginning at the Pioneer Lawn, the walk will culminate at a stand of remnant grass in the Camperdown Cemetery on the morning of a working bee with people who help maintain this tiny patch of remnant grass. The walk is 5 km and 1 hour in duration.
Amendment present on the Pioneer Lawn in the Royal Botanical Gardens until 9 June, 2014
This amendment to the Royal Botanical Gardens has involved a process of negotiation with the authoritative body that maintains the lawns to annex an area of grass from mowing or maintenance for a fixed period of time. This is in order to enable the potential flourishing of life forms that are usually repressed by regimes of cultivation (such as weeds and local grasses) to take root and become visible. It also seeks to make an addition to public space via a subtle strategy involving the suspension of standardized procedures, in order to reveal that which operates invisibly.
Thankyou to Ivan Cheng, Jess Olivieri, Annika Kristensen, Aarna Hanley, Tai Spruit, Ezzie Margin, Anthony and Travis Farnell for assistance with this process.
Between 21 March – 9 June, 2014
Northern side of Hyde Park, adjacent to College Street
The soil that has been removed from the site at Hyde Park has been temporarily relocated and placed within the installation on Waremah (Cockatoo Island) where it will remain until Monday, 9 June 2014, after which time it will be returned to the park. This process of removal shows the profile of the soil in the exact location, revealing the layers of history within the park’s soil structure. The hole is accessible for viewing 24 hours a day.
Thankyou to Professor Stephen Cattle, Dr Damien Woods, Dr Lisa Murry, Guy Stearn, Patrick Houlcroft and Michael Abbott for assistance with this process.
With Saskia Beudel, Olivia Barr, Lucas Ihlein, Ian Millis, Gary Warner and others to be confirmed.
Locations: dispersed areas around Western Sydney
Dates: Beginning in April and continuing throughout 2014
Prior to colonization, the area that is now known as Western Sydney was covered in iron bark forest. This forest was almost totally removed for grazing and firewood, yet tiny pockets of remnant trees remain including a small cluster adjacent to a factory on Roberts Road in Greenacre and along a ridgeway in Hurlstone Park. An action will occur that (roughly) maps the area of land where the forest stood. This mapping will take the form of a walk, whereby the process of walking becomes an event that temporarily marks out the forest’s imagined edge. What I anticipate becoming interesting during this walk are the plethora of current boundaries (fence-lines, roads, etc) encountered along the way – all expressions of the cadastral grid that signifies an ongoing process of colonization and privatization - which will perpetually interrupt the walk’s (imagined) continuity. This walk will be developed and carried out with a range of people over a number of months including Saskia Beudel, Olivia Barr, Lucas Ihlein and Ian Millis.
CBD, various locations
Tuesday 3 June, 6.52am-4.54pm
On this day, the sun will rise at 6.52am and set at 4.54pm. These times will mark the beginning and end of a day-long performance which will involve an improvised set of gestures and alterations that occur over the course of the day.
rhythm's expressive territories: spatial fields, sculptural fashionings
Post-Doctoral Research project at the Sydney College of the Arts, University of Sydney
situated upon the surface of the earth // Glasgow International Festival for Visual Arts